Editorial Reviews
Here Lucky goes to Memphis. Several years into a solo career, the former blues whiz kid plays good keyboards and guitar, and sings stirringly on originals and covers from all over the black music map (Stevie Wonder, Jimi Hendrix, Les McCann & Eddie Harris, blues piano master Roosevelt Sykes, etc.) His modern soul-cum-blues is hot, sweaty, and aggressive, and he gets the job done in busy arrangements shared with the Memphis Horns, honey-throated back-up singers, and muscular hired guns like bassist Willie Weeks and drummer Crusher Green. Peterson had the good sense to collaborate with New Yorker Jim Payne when writing five songs for the album, including the killer slow blues instrumental that doubles as the album title. --Frank-John Hadley
# | Title/Songwriter | Time |
| 1 | I'm Talking to You | 4:26 | | 2 | Count on Me | 5:18 | | 3 | Compared to What | 5:08 | | 4 | Up from the Skies | 4:52 | | 5 | Your Love Is Amazing | 4:55 | | 6 | That's the Way It Ought to Be | 4:37 |
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