Editorial Reviews
U2 weren't always over-the-top multimedia showmen. Early on, as on this third album, they were an impassioned young rock band from Ireland, a country trapped in an endless civil war--a war whose terrors find their way into nearly every song on the record and into Bono's tormented howl, even as military rhythms find their way into Larry Mullen Jr.'s rattling drumbeats. War doesn't quite capture U2's live fire, but its arty production does augment the songs with some extraordinary touches: the stately piano that offsets the Edge's stuttering, keening guitar on "New Year's Day," the electric violin that darkens "Sunday Bloody Sunday," the disco-fied thump behind the jittering riff of "Two Hearts Beat as One." --Douglas Wolk
# |
Title/Songwriter |
Time |
|
1 |
Sunday Bloody Sunday
|
4:36 |
|
2 |
Seconds
|
3:11 |
|
3 |
New Year's Day
|
5:35 |
|
4 |
Like A Song...
|
4:47 |
|
5 |
Drowning Man
|
4:12 |
|
6 |
The Refugee
|
3:40 |
|
|